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Day 52
Making Portraits on Poker Chips

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  There was rosée on the verdure everywhere this morning, and the sunbeams made all the drops to shine. And there was glory and gladness everywhere. When I did look upon it, I did have thinks to go explores down along Nonette and into the forêt de Chantilly. But the mamma had not thinks like my thinks. She did tell me of the many works she did have for me to do, and I did go to do them. But as I did go about to do them, I did have thinks about the appears with resée on them of the things that grow where Nonette flows.
  After the morning works was done, the mamma did have me to mind the baby while she was making it a dress. While I did mind the baby and while the mamma was making a dress for the baby, I made out of the piece what was left a christening robe . I made it for a young rooster. It isn't the first one I have made for him. But all the others he has got too big to wear, and I haven't been able to catch him yet.
  A little time before I did eat my bowl of bread and milk--it was a little time before noontime -- the mamma did take the little girl and the baby and the dress she was making for the baby, and they all did go to the house of her mother. She did have me to help her to take them and when they were come to the door of the house of her mother, I did come again home.
  When I did eat my bowl of bread and milk I did have thinks I would make portraits of the folks in the pasture and pig-pen this afternoon. I did have decides to begin their portraits, and afterwards on other days I will do more works on them. I did make ready to go. I put more wood in the woodbox so it would be full when the mamma came home. Then I put four white poker-chips in my apron pocket -- one is for the portrait of the gentle Jersey cow . I will have to draw her head in a small way, so the horns can go in the picture too. I have thinks that the people who made poker-chips ought to have made them with more bigness, so there would be more room to put horns on the cows' pictures that one does draw on poker-chips. One of the other three poker-chips I did put into my apron pocket is to draw Aphrodite's portrait on. And one of them is to draw Elizabeth Barrett Browning 's picture on. And one is for someone else that does live in the pasture. Now I go.
Follow One Character When I did get these pictures made, I did take them to a log in the near woods that has got a hollow place in it. There is room in this log for me to take naps in on rainy days, and in this log I do keep the white poker-chips with pictures on them. In this log I do have a goodly number of white poker-chips in rows, with portraits on them of the animal folks that do dwell here about. All my chums' pictures are there. There are five of Mathilde Plantagenet on three poker-chips. And there are seven of William Shakespeare that I did draw in automne and hiver time. And, too, there are six of dear Peter Paul Rubens that was.
  And now four more portraits did go in the rows today. There are nine more white poker-chips in a little pile under the root of a stump close by the old log. These nine white poker-chips are waiting waits to have portraits made on them. When I do get portraits made on most all the white poker-chips I do have, then one of the logging men at the mill by the far woods does give me more white poker-chips to draw more pictures of Aphrodite and Elizabeth Barrett Browning and all of us on.
  The chore boy does have objects to my drawing pictures on his poker-chips that he does hide in the barn. It was one day when I was walking around exploring in the barn and singing songs to William Shakespeare and the gentle Jersey cow -- on that day, and then I did find the poker-chips of the chore boy where he did hide them away. I had not knows whose they were, but the white ones all did lay there in a heap having askings for pictures to be drawn on them. So I did take some of them and I did make portraits of Thomas Chatterton Jupiter Zeus , and Louis II, le Grand Condé , and Brave Horatius . Then I did put them back in their places again. The day that was after that, I did take some more and I did make portraits on them. On them I did make portraits of Lars Porsena of Clusium and Lucian Horace Ovid Virgil and Nannerl Mozart and Felix Mendelssohn . Then I did carry them back to their place in the barn. They did look satisfaction looks there in that corner with portraits on them.
  Then next day, when I was going down our lane by the barn, the chore boy did come by the gate. When I came through, he did give my curls a pull. He did say in a cross way, "What for did you mark up my nice poker-chips with your old pictures?" Then I did have knows they were his poker-chips there in the barn. I did tell him the white ones had wants to have portraits on them and it was to give them what they had wants for. I told him he better draw pictures on what white ones was left that did not have pictures on. I had thinks they would be lonesome.
  But the chore boy did not have thinks like my thinks. He said he had more knows what poker-chips want than I have thinks. He says poker-chips want to be on a table in a game with men. I have thinks he has not knows what he is talking about. I have knows white poker-chips do have wants for portraits to be drawn on them -- portraits of Thomas Chatterton Jupiter Zeus and Brave Horatius and Lars Porsena of Clusium and all the rest.
  After I did put the four new portraits in the old log, I did follow a path that leads to a path that leads to a path that goes to the house of Elsie . I so went because I did have a little longing to rock again the baby's cradle. Elsie was making for her young husband a whipped-cream cake. He has such a fondness for them. And she does make them for him as often as there is cream enough. She was stirring things together in the most big yellow bowl. She did stir them in a quick way.
  While she so did, the baby did have a wake-up. She said I might rock it in its cradle. I went in a quick way to do so. I did give its cradle little touches on its corner with my fingers, and it did rock in a gentle way. As the cradle so did rock back and forth in that gentle way, I did sing to the dear baby in it a little song. I did sing to it le chant de fleurs that Angel Father did teach me to sing of hyacinthe, éclaire, nenufar rose, iris et dauphinelle et oléandre et romarin, lis, eglantier, anemone, narcisse et souci. I did sing it four times over, and the baby did go to sleeps again. I do so love to watch it in its cradle.
  Afterwards I went to look for thoughts. Every day now I do look for thoughts in flowers. Sometimes they are hidden away in the flower-bell and sometimes I find them on a wild rose -- and sometimes they are among the ferns -- and sometimes I climb away up in the trees to look looks for them. So many thoughts do abide near unto us. They come from heaven and live among the flowers and the ferns, and often I find them in the trees. I do so love to go on searches for the thoughts that do dwell near about.

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